Francis Johnson and the English Separatist Influence is the first thorough treatment of Francis Johnson as the central focus of an academic work. Johnson (1562-1618) was the pastor of the English Separatist Ancient Church in London and Amsterdam from 1592-1618. Once referred to as the “Bishop of Brownism” by one of his contemporaries, Johnson’s theological and practical influence on Christian traditions as diverse as the Baptists, Congregationalists, and English Independents demonstrated the wide breadth of English Separatism’s formative influence. This very human English Separatist leader influenced a number of Christian movements in the dynamic context of early seventeenth century Amsterdam. His example encouraged John Smyth, Johnson’s Cambridge pupil, and Smyth’s associate John Robinson, pastor to the Pilgrims, to separate from the Established Church and seek sanctuary in Amsterdam.

Apocalyptic Chic: Visions of the Apocalypse and Post-Apocalypse in Literature and Visual Arts

This book deals with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times and from peoples and cultures around the world. It reflects an increasingly popular leitmotif in literature and visual arts of the 21st century: humanity’s fear of extinction and its quest for survival — in revenant, supernatural, or living human form. It is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The third, The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016), focused on a range of supernatural beings in literature, film, and other forms of popular culture.

The Supernatural Revamped: From Timeworn Legends to Twenty-First Century Chic

This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.